Chapter XV. A Telegram

By Ashley Cook

In the fall of 2006, I enrolled in an American survey course; one of the selections on our course list was Little Women. I had no idea when I picked up that used Norton Critical Edition in the campus bookstore what a place Alcott’s writing would have in my life. Her words provided inspiration for a Maid of Honor toast during a friend’s wedding—thankfully my friend married before she became a “haggard, worn, and moody woman of thirty”—while Eight Cousins became the foundation for my Master’s Project. Some might view Alcott’s work as moral guidance for the young, but I see in it resistance and a desire to change the status quo—a bit of “sticking it to the man,” if you will.

Within the pages of “A Telegram” is a scene that remains etched in my mind even years after my first reading of Little Women. When Jo reveals to her family that she has cut off and sold her hair so that Marmee will have money to support her rush to Mr. March’s bedside, some members of her family are first shocked—perhaps even appalled—that she would cut her “beautiful hair…[her] one beauty.” While the others focus only on how Jo looks with her cropped hair, Marmee alone understands the magnitude of Jo’s sacrifice and the resolve Jo must have had to follow through with her decision to sell her hair. Marmee knows the gift of the lone lock of chestnut hair is more than just a bit of hair—it is a piece of Jo herself that she sacrificed for her family.

As an adult, I see younger Jo as someone who struggles to find her identity in a world that tells her she isn’t pretty enough or feminine enough or, simply, enough. I’ve always thought Jo’s decision to cut her hair served two purposes. First, she was able to give a bit of herself to help her family. Second, what better way to thumb her nose at a society that tells her she MUST present a certain way than to cut her long hair? Jo is sure of her decision to sell her hair and shed conformity until her family’s negative reaction gets in her head. Only then does she lament the loss of her “vanity” as she describes it.

Why is long hair so associated with womanhood and femininity? Is Jo’s only motivation to provide money for her family? Jo’s haircut leads me to think of other women who have shorn their long hair in response to something traumatic in their lives. Frida Kahlo cut her long hair off shortly after her divorce from Diego Rivera. Carrie Bradshaw flaunts a cute, short haircut after her second break-up with Aidan. Mulan cuts her hair to pass as a man so she can take her father’s place in battle. These are just a few examples.

I do believe that the chief motivation behind Jo’s decision to cut her hair is to provide for her family, but I also see it as an act of defiance. In a time when her options are limited, Jo’s haircut is a rebellion against societal norms.

A former Kansas State University student, Ashley Cook spends her time riding bicycles, fostering cats, and reading books.


3 thoughts on “Chapter XV. A Telegram

  1. Hair is beauty, power and virtue – Jo gives everything. Many readers love this scene and I learn to understand why. I think with more life experience, one can truly appreciate and embrace the meaning of this gift. This self-sacrifice reminds me of O. Henry’s “The gift of the Magi”.
    It suits to the Christmas spirit of Little Women. Mulan is a great example for comparison. She rescues her rather, as she goes in war instead of him. She gives not only her hair, but risks also her life. Could you imagine a greater Christmas gift?


Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s